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These works come from some thoughts about classical sculpture. We know that the sculptures were originally colorful, and that the Egyptian, Greek, and Roman cultures, but also the pre-Columbian cultures, favored, to decorate them, very bright colors. But the passage of time has given us these sculptures predominantly white, so, from the Renaissance until today, the sculptural representation of man is almost always monochrome. And it is interesting to think that if by some historical accident, the same thing had happened with painting, today we would paint with one color, and we would find it quite natural, just as the monochrome sculptures seem entirely correct. Obviously this reasoning should be much more complex, but for me it was only the starting point for a reflection on the way we perceive reality, and what is that influences it. Looking for an expedient that makes it look colorful something that is not.
I usually paint on stretched canvas, or fine art paper prepared for oil painting. Once ended, the painting is finished with a coat of varnish to protect against UV sunlight and dust. Also the sides of the canvases are painted, so they are ready to hang. My works are never sold rolled, but always packed flat. I put them between two sheets of acid-free paper with paper or cardboard protection for the corners, than closed in a plastic envelope and bubble packaging. The package is completed with stiffeners of polystyrene on both sides, and external layers of cardboard. All my artworks are unique original paintings, signed and provided of Certificate of Authenticity.